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Discussion in 'The GatorTail Pub' started by anstro76, Jan 7, 2014.
Not at all familiar to me I'll have to look that one up-
Me either had to DVD it through Netflix
Brigitte Lin, Tony Leung, Faye Wong, Takeshi Kaneshiro
Wong Kar-Wai's movie about two love-struck cops is filmed in impressionistic splashes of motion and color. The first half deals with Cop 223, who has broken up with his girlfriend of five years. He purchases a tin of pineapples with an expiration date of May 1 each day for a month. By the end of that time, he feels that he will either be rejoined with his love or that it too will have expired forever. The second half shows Cop 663 dealing with his breakup with his flight attendant girlfriend. Hetalks to his apartment furnishings until he meets a new girl at a local lunch counter.
Harry dean Stanton, Natassja Kinski
Travis (Harry Dean Stanton) is wandering through the Texas desert, a bit shaky and in desperate need of water, when he stumbles into a bar and collapses. A German doctor of dubious credentials finds a phone number in Travis' wallet, which belongs to his brother, Walt (Dean Stockwell). Walt is shocked to hear about his brother's condition, since no one in the family has seen or heard from Travis in four years; Walt flies to Texas to bring him home, only to find Travis wandering by the side of the road, and they begin the long drive back to Los Angeles, where Walt lives with his wife, Anne (Aurore Clement), and Hunter (Hunter Carson), Travis' seven-year-old son. At first, Travis refuses to speak and is oddly distant, but in time he begins to talk again, and when he arrives in California, he begins the painful process of reacquainting himself with his son and trying to reconcile with his wife, Jane (Nastassia Kinski).
thought this was posted last night around 11
Just started Watching Headspace
Director: Andrew van den Houten
Writers: Steve Klausner, Troy McCombs (story), 1 more credit »
Stars: Olivia Hussey, William Atherton, Sean Young
25-year-old Alex Borden is handsome, charming, and intelligent. In fact, he may be too smart for his own good as his life is swiftly becoming a living hell. Alex's nightmare begins when he meets Harry, a mysterious artist and chess-master. Alex becomes alarmed when his intellect mysteriously begins to grow, and so do the horrors that invade his nightmares, and soon his waking hours. Long-suppressed memories surface and Alex must face the terrors of his violent past, a vanished older brother, a father who abandoned both his sons, and a mother who was viciously murdered. The visions intensify and he begins to experience intense headaches that ultimately cause him to blackout. But it is only the beginning of Alex's calamity. Friends and neighbors are disappearing, and people are whispering rumors of a serial killer. Menaced from all sides by the forces of evil, Alex must overcome his past and contain his own deadly urges so he can hopefully discover what demons, both real and imagined, are stalking him.
Decided to give it a try, been a huge fan of Olivia Hussey since Romeo & Juliet in
actually watched this one years ago - did not move me to re-watch tho
still haven't watched so many shows on tv tonight...and Lauren Cohan is looking too fine on talking dead
Chow Yun -Fat, Sally Yeh
Though John Woo's lifelong admiration of Sam Peckinpah, Sergio Leone, Martin Scorsese, and Stanley Kubrick are also evident in this stylish actioner, the film is essentially a tribute to Jean-Pierre Melville and his cult thriller Le Samouraï. During a restaurant shoot-out, hitman Jeff (Chow Yun-Fat) accidentally hurts the eyes of a singer (Sally Yeh). Later, he meets the girl and discovers that if she does not have a very expensive operation very soon, she will go blind. To get the money for the surgery, Jeff decides to perform one last hit. The cop (Danny Lee), who has been chasing Jeff for a long time, is determined to catch him this time. The film's number of victims makes The Terminator or Rambo pale in comparison, but its brilliant visual style and bravura direction earned accolades even from non-action fans
Robert Duvall, Maggie McOmie
Based on his award-winning student short, George Lucas's debut feature cerebrally celebrates the possibility for individual freedom against all odds. In a 1984-esque white-washed future underground dystopia where sexuality is banned, all humans sport shaved heads and the same shapeless outfits as they go about their work in a mandated state of sedation, listening to exhortations to "Buy and Be Happy." Black-clad robot cops chant a mantra to their victims that "everything will be all right" andautomated confessional booths emit soothing therapeutic bromides. But unbeknownst to THX 1138 (Robert Duvall), his roommate LUH 3417 (Maggie McOmie) has been reducing their meds, resulting in their mutual discovery of love and THX's subsequent imprisonment for drug evasion and sexual misconduct. Determined to find the pregnant LUH, THX breaks out of prison with the help of his cellmate SEN 5241 (Donald Pleasence) and an escaped TV hologram (Don Pedro Colley). With fugitive pursuits strictly budgeted, THX only has to evade the robocops until the funds run out, but surveillance is omnipresent and THX's vehicle keeps overheating. Making the only film produced through the first incarnation of Francis Ford Coppola's independent studio American Zoetrope, Lucas and his small crew, including co-writer and sound editor Walter Murch, shot THX 1138 in northern California with no interference from distributor Warner Bros. When Warners saw the austere result, however, they recut the film before its release. Neither the studio's nor Lucas's cut was a popular success, but THX 1138's coolly minimalist style and story-telling gained fans on the college screening circuit, just as Stanley Kubrick's poetic 2001: A Space Odyssey had attracted a large youth audience in 1968. When Lucas returned to sci-fi after American Graffiti, he traded restraint for nostalgic fun in the film that guaranteed his creative freedom in Hollywood: Star Wars.
Stuck in the ER.. no movie
The Great Dictator
Charlie Chaplin, Paulette Goddard
This is the story of the period between two world wars--an interim during which insanity cut loose, liberty took a nose dive, and humanity was kicked around somewhat." With this pithy opening title, Charles Chaplin begins his first all-talking feature film, The Great Dictator. During World War I, a Jewish barber (Chaplin) in the army of Tomania saves the life of high-ranking officer Schultz (Reginald Gardiner). While Schultz survives the conflict unscathed, the barber is stricken with amnesia and bundled off to a hospital. Twenty years pass: Tomania has been taken over by dictator Adenoid Hynkel (Chaplin again) and his stooges Garbitsch (Henry Daniell) and Herring (Billy Gilbert). Hynkel despises all Jews and regularly wreaks havoc on the Tomanian Jewish ghetto, where feisty Hannah (Paulette Goddard) lives. Meanwhile, the little barber escapes from the hospital and instinctively heads back to his cobweb-laden ghetto barber shop. Unaware of Hynkel's policy towards Jews (in fact, he's unaware of Hynkel), the barber gets into a slapstick confrontation with a gang of Aryan storm troopers. He is rescued by his old friend Schultz, now one of Hynkel's most loyal officers. Thanks to Schultz's protection, the ghetto receives a brief respite from Hynkel's persecution. The barber sets up shop again, developing a warm platonic relationship with the lovely Hannah. But things take a sorry turn when Hynkel, angered that a Jewish banker has refused to finance his impending war with Austerlitz, begins bearing down again on the Ghetto. Near the end of the film, when the dictator is expected to make another one of his hate-filled, war-mongering speeches, the barber steps up to the microphones...and Charles Chaplin drops character and becomes "himself," delivering an impassioned plea for peace, tolerance, and humanity.
Paul Thomas Anderson
Mark Wahlburg, Burt Reynolds, Julianne Moore, Heather Graham
Set in 1977, back when sex was safe, pleasure was a business and business was booming, idealistic porn producer Jack Horner aspires to elevate his craft to an art form. Horner discovers Eddie Adams, a hot young talent working as a busboy in a nightclub, and welcomes him into the extended family of movie-makers, misfits and hangers-on that are always around. Adams' rise from nobody to a celebrity adult entertainer is meteoric, and soon the whole world seems to know his porn alter ego, "Dirk Diggler." Now, when disco and drugs are in vogue, fashion is in flux and the party never seems to stop, Adams' dreams of turning sex into stardom are about to collide with cold, hard reality. Featuring an amazing, award-winning cast, including Mark Wahlberg ("The Departed," "We Own the Night"), Burt Reynolds ("Deliverance"), John C. Reilly ("Magnolia"), Julianne Moore ("Children of Men"), Philip Seymour Hoffman ("State & Main"), Don Cheadle ("Talk to Me"), William H. Macy ("Bobby"), and many more.
Chaplin was truly a one of a kind genius.
Hope you have recovered from whatever sent you to the ER, never a fun place to spend time...........
true to the first part. and it wasn't me in the e.r. i had to take a friend. funny thing is i could've watched on my phone but I didn't have my book so I didn't know what was next.
House sitting for a friend and left my book I'm sooo behind
man real life plus tournament has put me way behind so i'll play catch up and post as I do so according to my guide here's today's movie
The English Patient
Ralph Fiennes, Julliette Binoche, Kristin Scott Thomas
Anthony Minghella wrote and directed this award-winning adaptation of Michael Ondaatje's novel about a doomed and tragic romance set against the backdrop of World War II. In a field hospital in Italy, Hana (Juliette Binoche), a nurse from Canada, is caring for a pilot who was horribly burned in a plane wreck; he has no identification and cannot remember his name, so he's known simply as "the English Patient," thanks to his accent. When the hospital is forced to evacuate, Hana determines en route that the patient shouldn't be moved far due to his fragile condition, so the two are left in a monastery to be picked up later. In time, Hana begins to piece together the patient's story from the shards of his memories; he's actually Count Laszlo Almasy (Ralph Fiennes), of Hungarian nobility and an explorer working with a group mapping uncharted territory in North Africa. An Englishman, Geoffrey Clifton (Colin Firth), soon joins Almasy's team; travelling with him is his lovely and spirited wife, Katherine (Kristin Scott Thomas). Katherine and Laszlo soon fall in love, which leads Laszlo to betray his friend, his country and all that is dear to him. Meanwhile, Hana and the Patient are joined by Kip (Naveen Andrews), a Sikh with a gift for defusing mines, and Caravaggio (Willem Dafoe), an intelligence agent who knows some of Laszlo's most shameful secrets. The English Patient won nine Academy Awards, including Best Picture, Best Director and Best Supporting Actress (Juliette Binoche)
Woody Allen, Diane Keaton
Woody Allen's romantic comedy of the Me Decade follows the up and down relationship of two mismatched New York neurotics. Jewish comedy writer Alvy Singer (Allen) ponders the modern quest for love and his past romance with tightly-wound WASP singer Annie Hall (Diane Keaton, née Diane Hall). The twice-divorced Alvy knows that it's not easy to find a mate when the options include pretentious New York intellectuals and lifestyle-obsessed Rolling Stone writers, but la-di-dah-ing Annie seems different. Along the rocky road of their coupling, Allen/Alvy weigh in on such topics as endless therapy, movies vs. TV, the absurdity of dating rituals, anti-Semitism, drugs, and, in one of the best set pieces, repressed Midwestern WASP insanity vs. crazy Brooklyn Jewish boisterousness. Annie wants to move to Los Angeles to find that fame that finally does in the relationship -- but not before Alvy gets in a few digs at vacuous, mantra-fixated California. Originally entitled Anhedonia (the inability to enjoy oneself), Annie Hall blended the slapstick and fantasy from such earlier Allen films as Sleeper (1973) and Bananas (1971) with the more autobiographical musings of his stand-up and written comedy, using an array of such movie techniques as talking heads, splitscreens, and subtitles. Within these gleeful formal experiments and sight gags, Allen and co-writer Marshall Brickman skewered 1970s solipsism, reversing the happy marriage of opposites found in classic screwball comedies. Hailed as Allen's most mature and personal film, Annie Hall beat out Star Wars for Best Picture and also won Oscars for Allen as director and writer and for Keaton as Best Actress; audiences enthusiastically responded to Allen's take on contemporary love and turned Keaton's rumpled menswear into a fashion trend.
Rocky Horror Picture Show
Tim Curry, Susan Surandon, Bary Bostwick
This low-budget freak show/cult classic/cultural institution concerns the misadventures of Brad Majors (Barry Bostwick) and Janet Weiss (Susan Sarandon) inside a strange mansion that they come across on a rainy night. After the wholesome pair profess their love through an opening song, their car breaks down in the woods, and they seek refuge in a towering castle nearby. Greeting them at the door is a ghoulish butler named Riff Raff (Richard O'Brien), who introduces them to a bacchanaliancollection of partygoers dressed in outfits from some sort of interplanetary thrift shop. The host of this gathering is a transvestite clad in lingerie, Dr. Frank N. Furter (Tim Curry), a mad scientist who claims to be from another planet. With assistants Columbia (Nell Campbell) and Magenta (Patricia Quinn) looking on, Frank unveils his latest creation -- a figure wrapped in gauze and submerged in a tank full of liquid. With the addition of colored dyes and some assistance from the weather, Frank brings to life a blonde young beefcake wearing nothing but skimpy shorts, who launches into song in his first minute of life. Just when Brad and Janet think things couldn't get any stranger, a biker (Meat Loaf) bursts onto the scene to reclaim Columbia, his ex-girlfriend. When Frank kills the biker, it's clear that Brad and Janet will be guests for the night, and that they may be next on Frank's list -- whether for murder or carnal delights is uncertain. And just what is that mystery meat they're eating for dinner, anyway? In addition to playing Riff Raff, O'Brien wrote the catchy songs, with John Barry and Richard Hartley composing the score.
Not as fun sitting at home but young Susan Sarandon is still where it's at!